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Floating On The Floor

  • 30 de jul.
  • 2 min de leitura

Atualizado: 31 de jul.

I feel the bass

The smoke is deep

I want to promise

Things I cannot keep

I want the crowd

To float so high

To wave away

My memory


We only live it once, they say

To throw the history away

To touch a skin, but look above

To fade away into the neon light

And leave no lonely hearts tonight


I want a beautiful mistake!

How much lightness can I take?

I want to float into the dark

Instead of dying on the floor

Yeah, flying, flying free

That's how I want to be


One time is no time

One time is no time

Yeah, you’re here

Then just smoke


One time

No time

Gone


I close my eyes now

I let you go

I play along with

The rules you know

I feed your freedom

To make you mine

I step back softly

And cross my line


We only live it once, you say

You throw the history away

You touch my skin, but look above

You fade away into the neon light

You leave me lonely tonight


Oh, it’s a beautiful mistake!

How much lightness can I take?

You’re floating up into the dark

And I am lost down on the floor

Yeah, you’re flying, flying free

But it's killing, killing me


One time is no time

One time is no time

Yeah, you’re here

Then just smoke


I broke my walls

To build your home

Now I am heavy

Heavy and alone

I tried to change

I cannot lie

I am the weight

And you are just the wind


Oh, it’s a beautiful mistake!

How much lightness can I take?

You’re floating up into the dark

And I am lost down on the floor

Yeah, you’re flying, flying free

But it's killing, killing me


One time is no time

One time is no time

Yeah, you’re here

Then just smoke


Here

Then just smoke

Too light to hold

One time is no time

 
 
 

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André Martinez

André Martinez is an artist working in music, image, design, and writing, whose practice develops through movement, embodied experience, and technology.

 

His work develops as an ongoing investigation into authorship, language, and the conditions in which artistic forms emerge — particularly in moments when new tools are available but not yet stabilized.

 

Across music, audiovisual work, and print art, his practice approaches generative processes as a field — working at a point where composition, presence, and mediation are continuously reconfigured, and where authorship is no longer stable.

Learn more about André Martinez

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contato@aprax.com.br

ANDY SOLAN

 

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