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Double Hint

  • 31 de jul.
  • 2 min de leitura

Atualizado: 1 de ago.

We kissed as strangers that we are

Suddenly nobody else had a mouth

The best part of the night seemed to be

An imaginary sandwich in an empty fridge

Now there's still this taste around

This shouldn't feel this unstable

But... but... but, what's this doing here?

Like the bubble gum I threw onto my table


Oh, double mind

Double hint

Double every ordinary day

Oh, double mind

Double hint

Nothing feels the usual way


Take one kiss

Live two lies


I smiled as the pleaser I should always be

As always, no meeting meant a thing

The best part of the day seemed to be

An imaginary sitcom on a broken TV

Now there's still this urge around

This shouldn't feel this sweet

But... but... but, what's this doing here?

Like the bubble gum I left on my seat


Oh, double mind

Double hint

Double every ordinary day

Oh, double mind

Double hint

Nothing feels the usual way


Take one kiss

Live two lies


I faced the mirror as Saturday demands

Suddenly no outfit made a promise

The best part of pregame seemed to be

An imaginary lover on a wannabe couch

Now there's still this fantasy around

This shouldn't feel this frightening

But... but... but, what's this doing here?

Like the bubble gum that's never in my mouth


How do I peel you off me?

How do I get your taste

Out of my mouth?


I keep chewing

Or not chewing


Oh, double mind

Double hint

Double every ordinary day

Oh, double mind

Double hint

Nothing feels the usual way


Oh, double mind

Double hint

Take one kiss

Live two lies


Oh, double mind

Double hint

Take one kiss

Live two lies


Chewing

Or not chewing



 
 
 

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André Martinez

André Martinez is an artist working in music, image, design, and writing, whose practice develops through movement, embodied experience, and technology.

 

His work develops as an ongoing investigation into authorship, language, and the conditions in which artistic forms emerge — particularly in moments when new tools are available but not yet stabilized.

 

Across music, audiovisual work, and print art, his practice approaches generative processes as a field — working at a point where composition, presence, and mediation are continuously reconfigured, and where authorship is no longer stable.

Learn more about André Martinez

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contato@aprax.com.br

ANDY SOLAN

 

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